cold porcelain № 1

Decorative molding - cold porcelain

Making cold porcelain-master class

Another recipe for cold porcelain and step-by-step instructions for making it at home.
What you need:
3/4 cup PVA glue
1/2 cup water
1 tsp cream (for example, such as Pond's)
1 tsp glycerin (or vaseline)
1 cup cornstarch, plus more for hands

Let's see step by step how to cook cold porcelain at home according to this recipe without using a microwave.
Prepare all the ingredients ahead of time before you start.
If possible, take old dishes. Although cold porcelain is not toxic, it is very sticky and will ruin good cookware.
Further
1. Combine all liquid ingredients in a saucepan. Put it on medium heat. Start stirring and continue until the mixture is smooth.

2. Add starch and continue mixing. Get ready - the mixture will begin to change its consistency very quickly. Keep interfering.

3. At first it will look like liquid cottage cheese ...

4. ... and after a few minutes it will begin to resemble mashed potatoes. When the mass begins to gather in a lump and lag behind the walls of the pan, it is ready.

5. Wrap it in a clean, wet kitchen towel. Then start kneading it with your hands. Since it is still very hot, in order not to burn yourself, soak a towel in cold water, cover the pan with it and dump the mass on a towel. Now break away for a second and fill the pan with hot water and dishwashing liquid and soak all the tools that you used in it.

6. Knead the mass through a towel until it is cool enough to be handled with bare hands.

7. Spread a little cornstarch on your palms and continue to knead the mass without a towel. Place a bowl of starch next to it and dip your hands in it periodically. So the mass will not stick to your hands. You can also dust your work surface with starch to keep the porcelain from sticking to it.

8. This recipe will give you a ball about the size of a grapefruit. After about five more minutes, the mass will become what it should be - soft, plastic and not sticky. The mass of cold porcelain is painted with acrylic or oil paint. This is done just at this stage.

While you are washing the dishes, place the mixture in a tightly sealed container or plastic bag. The dishes must be washed, otherwise it will dry out and then it will be much harder to wash it.
By the way, when you start sculpting, use something like a portable board, etc. For example, a baking sheet covered with aluminum foil works well. When you are done, while the product dries, you can always put it somewhere so that it does not interfere with you, and you with it.

Cold porcelain. Sculpting a dolmatian puppy

Master class: Puppy-dolmatian. We sculpt a puppy step by step.

Materials:

Cold porcelain ready-made or homemade (see recipe)
PVA glue
White colorant
Acrylic paints, oil paints or food coloring: sky blue, black, white, pink, red
Brushes, wide and for drawing points
Modeling tools: knife, spatula, etc.
Wooden skewer (which is for barbecue), or a candy stick (for connecting the head to the body)
2 foam balls as a base (reinforcement) for the head and body. Diameter 5cm - for the head and 6cm - for the body.

Note: PVA glue is used to connect body parts

Step 1. Head

We cover the foam ball for the head with a layer of cold porcelain. We sculpt a muzzle with our fingers, draw a mouth with a knife. We press with our fingers, a modeling tool with a round tip, or just a small ball to mark the place for the eye and nose.
Note: Styrofoam is used when sculpting from cold porcelain, if sculpted from polymer plastic, then foil should be taken as the basis. Because Styrofoam is not suitable for firing.

Step 2. Nose and eyes

From cold black porcelain, roll up a ball for the spout. From the ball we make a triangle with smoothed edges.
We make two teardrop-shaped details for the peephole white color(whites of the eyes).
Two teardrop-shaped blue details of a smaller size (iris). And two more drops of black and even smaller size (pupils). Lay them one on top of the other. And put it aside for now.
From black porcelain, make two thin sausages for eyebrows and two for eyelashes.

Step 3 Ears

Make two drops of white for the ears.
For the inside of the ear, make two drops of pink and smaller size (see photo) and flatten them.
Connect these parts and bend a little.

Step 4. Spout

We attach a nose on the muzzle (if necessary, use glue)

Step 5 Ears

We place the ears on the head.

Step 6. Eyes

Glue the previously prepared eyes in place. Add eyebrows and eyelashes.
With the help of droplets of white paint, draw a sparkle in the eyes.

Step 7. Torso

Cover the larger styrofoam ball with porcelain. Add pieces of porcelain mass to eventually mold the pear-shaped body.

Step 8. Front legs

From porcelain of the same color as the body, roll up two sausages. Give them a cone shape. We sculpt paws from the wide end.
With a knife, make folds and fingers. Smooth out sharp edges.

Step 9. Hind legs (lower part)

Roll up two rather thick sausages, flatten them slightly.
Make folds and fingers in the same way.

Step 10. Top of the hind legs and tail

From porcelain of the same color, mold two ovals. This is the top of the hind legs. Flatten a little.
For the tail, roll up a thin long sausage, tapering towards one end.

Step 11 Attach the front legs to the body.

Glue (stick) the front legs to the body. Use glue if needed.

Step 12. Attach the hind legs.

Glue the lower part of the hind legs to the pope.

Step 13 Finish the hind legs.

We glue the upper part of the hind legs to the body above the lower part (our puppy is sitting).

Step 14. Ponytail

Glue the tail to the pope.

Step 15 Bow Details

The bow consists of several separate parts. Two loops, a central part and two ribbons.
The central part is a pancake made of red porcelain.

Step 16. Ribbon on the neck

Position the red pancake in place of the neck.

Step 17 Attaching the Head

Stick a wooden stick into your torso. It will hold the head. To do this, leave about 2.5 cm outside (above red porcelain). Before sticking the stick, lightly grease it with glue.
Lubricate the red porcelain (ribbon) with glue and put the head on the stick.

Step 18 Attaching the Bow

Gather and attach the bow as shown in the photo.

Step 19 Finish

And at the end, take a few small pieces of black porcelain, give them an oval shape and stick them all over the puppy's body, imitating the spots of a dolmatian.

"Cold porcelain" is a special mixture of cornstarch, glue, oil and glycerin, which is used for artistic modeling. They came up with "cold porcelain" in Argentina at the beginning of the last century.

To date, "cold porcelain" is perhaps the cheapest, very convenient and completely harmless material for modeling. It is convenient to make small details from it, it has a smooth, uniform texture, it is incredibly plastic and easy to use. Figures and products from "cold porcelain" can be made by both children and adults. Unlike plasticine, "cold porcelain" becomes hard when solidified, which is a definite plus.

“Cold porcelain” is also convenient because it is easy to make at home. There are several different ways to make this wonderful material. Here is the most common one.

Mix equal proportions of corn starch, water and baking soda. Add some vegetable oil. Cook the resulting mass over medium heat, until thickened, while not forgetting to stir it constantly. Then remove the mass from the pan and cover with a damp towel for a few minutes. As soon as the mass has cooled to a temperature where you can pick it up and not burn yourself, immediately start mixing it again with your hands. When the mass turns into a plastic ball, you can begin to be creative.

By the way, if you need colored material, you can add food coloring during cooking. And you can paint the products with acrylic paints after they are completely ready. Well, so that the material does not stick to your hands, lubricate them with any moisturizer before work.

Anything can be molded from "cold porcelain", this material gives a very wide scope for imagination. Use in your work not only the plastic mass, but also various accessories: beads, threads, shells, beads, pieces of fabric and any other interesting gizmos.

And for those who will not be modeling for the first time, here is another, more complex recipe for making “cold porcelain”.

Mix in a small saucepan three-quarters of a cup of PVA glue, one cup of corn starch, half a cup of water, one teaspoon of glycerin and one teaspoon of cream. You can take any cream, I use an inexpensive face cream to prepare a plastic mass. Thanks to the glycerin and cream included in the composition, the “cold porcelain” made according to this recipe has a very smooth, pleasant texture.

Finished products from "cold porcelain" will dry for several days. If after work you still have some part of the mass for modeling, you do not need to throw it away. Place the "cold china" in a plastic container and close the lid tightly. It will keep well in the fridge until the next time you want to sculpt again.

Fantasize, "cold porcelain" provides unlimited opportunities for creativity. A little practice, and you will get real works of art!

The art of modeling from mastic has recently burst into cooking. Now almost all pastries and cakes are decorated with figurines and various patterns from mastic. In addition, completely unimaginable forms can be sculpted from this mass, which together can create a whole cartoon plot or a romantic bouquet.

What is mastic, is it difficult to make figurines out of it?

Mastic itself is an adhesive and astringent, which, moreover, is edible. If it is kneaded correctly, then it will be similar in its consistency to plasticine.

There are several varieties of this mass. It is created from different products and kneaded different ways. The most famous:

• Honey: It has a softer look. Suitable for modeling almost any figures, does not crumble and does not fall apart;
• Mastic based on gelatin is distinguished by its high speed of solidification and hardening. Most suitable for preparing the smallest parts;
• Dairy is one of the most common. Condensed milk is used as the main ingredient. Ideal for creating a base and a solid cover for a cake, as well as medium-sized figurines;
• Marzipan is used to cover the cake. It is very soft and not suitable for sculpting figurines;
• Industrial or universal mastic is bought in stores. It is used both for modeling and rolled out for the base. It practically does not differ in taste from home;
• Flower - this type of mastic is best suited for creating jewelry where fine work with small details is required.

Each of these types is good in one way or another. Anyway, gotta try different types to understand and adapt to this kind of delicious modeling.

Recipe for sugar mastic for sculpting figures at home

We take a suitable container (a wide bowl will be enough), sift the powdered sugar there, and then add the dry milk mixture. Mix and add condensed milk. Now you need to knead the mastic like dough. When kneading, lemon juice, cognac, dyes are added. The result should be an elastic mass with which it is pleasant to work and sculpt.

If you do not add dyes, then the mass should be matte.

Children's figurines from mastic for a cake with their own hands step by step: instructions for beginners

Mastic is good because you can make a wide variety of figures and decorations for goodies from it. This is especially useful if you need to decorate a cake or pastries for a children's holiday.

We sculpt a toddler from mastic step by step

To make such a cute peanut, you need flesh-colored mastic. To do this, when preparing the mass for modeling, you need to add a body dye.

Step 1. We make the body. We fashion a small oval the size of a small chicken egg. We take a toothpick and make a hole just below the center (this will be the navel).

Step 2. We sculpt the head. We take a piece of mastic somewhere 20-25% less than on the body and roll it into a ball. Insert a toothpick into the top of the body. It will serve as a fastening element of the torso and head.

In the head with a toothpick, you need to make a couple of holes under the eyes. We sculpt the nose from a small piece of mastic: it should be a slightly flattened round circle with a diameter of about 4-5 mm.

We hold the mouth with a toothpick, while not forgetting to make stronger recesses for the dimples.

For the ears, take two small balls. We roll them up and with the help of a stack we make dents in the center. Glue them to the head.

Step 3. We fasten the parts: we put the head on the base (toothpick).

Step 4. Making handles. We take a couple of pieces, a quarter in size less than the head. Roll them into sausages. With the help of a toothpick at one end we make fingers.

Step 5 Attach the handles to the body. If the parts do not stick together well, brush over the mating areas with a brush dipped in water.

You can diversify the baby with a toy or other items you like.

Little mouse as a decoration

First of all, we prepare mastic of different colors. You will need yellow, light green, white and pink. For the eye and mouth, you will need black edible beads (powder). In the absence of black, you can replace it with dark blue.

From the tools you need to prepare toothpicks, a stack, a mold for the base (a glass or a glass will do), a sharp knife or cutter.

Step 1. We make a base out of light green mastic. We roll it out to a thickness of 3 mm. We use either a special form, or a glass (glass).

Step 2: a gift. We take the yellow base. We first make a ball, and then gradually move on to a cubic shape.

Pink mastic needs to be rolled out quite thinly: 1-2 mm thick. We take a knife or cutter, cut it into thin strips that will serve as gift ribbons. You also need to make a small bow out of them.

From the remnants of the rolled pink mastic, you need to make small peas (we use a special form). Their diameter should be approximately 1-1.5 mm. With the help of a stack or a toothpick, they are attached to a gift.

Step 3: mouse. White mastic is used to create the mouse body.

First we make a little body: we roll up the ball, then we try to give it a longer elongated shape. Next, we make paws, they are also a little teardrop-shaped. Using a toothpick, mark the stripes that separate the fingers.

We stick toothpicks into each part. We use halves for the paws, since they are small. We fasten the body with the paws so that one serves as the base, and the second is in the air.

For the head we roll up the ball, then we transform it: just below the middle we make a notch. We make a recess for the mouth and eye. We insert black beads there. We make a nose out of pink mastic.

We take a couple of small pieces, roll them into balls, after which we make indentations with the help of a stack - these are future ears. They need to be flattened well and cut off the bottom. We attach them to the head.

Now we put the head on the toothpick fixing the body.

The upper paws are made in much the same way as the lower ones, only they should be slightly smaller. We make the tail from a thin sausage, which should become thinner towards one edge.

Step 4: flower. We make the stem for the future flower from light green mastic. We roll it into a thin strip 3-4 cm long above the mouse. From a piece of pink base we make a flower. It can be cut in a special shape. With the help of a stack, we make indentations on the petals. Then we cut out another flower, but smaller and make indentations in it. We make the middle from a yellow piece the size of a pea, rolled into a ball. We fasten everything together. From the green mastic, add a small leaf, which we add to the stem.

lion cub

You will need 4 colors of mastic: yellow, white, brown and black, as well as tools.

Step 1: Sculpt the body and head. The head should be in the form of a ball, the body - in the form of a drop. From white mastic we cut out inserts on the body of a teardrop shape.

On the head for the mouth, add a little bit of white mastic using the bent tip of a sharp stack.

We make eyes and fashion roundels near the mouth.

Step 2. We make paws from yellow and white mastic: we sculpt the main part from yellow, and the part with fingers from white. Don't forget to draw lines to separate the fingers.

In the recesses for the eyes, first add white round parts, then, a little less, black. We make a triangular nose from a brown mass.

Then we sculpt the ears in the form of flattened circles, as well as the tail (sausage, thinning towards one end). At the tip, we also make a triangular brush from a brown mass.

Step 3. We make a mane from a brown mass. It is made in the form of separate petals, which are then attached around the head.

If there is a white and black mass left, you can mix them and make pebbles on which the lion will sit. Grass can be made from green.

We sculpt a panda step by step

Required:

• Mastic white and black;
• Modeling tools;
• A couple of toothpicks.

Step 1. We take a white mass and roll it into a ball. We make indentations for the eyes on it. We sculpt small balls from the black mass, insert them into the recesses and expand them with a stack. Black color should be over the entire area of ​​​​the recesses.

Add a ball of white mass (nose).

Finishing the nose: add a black piece, in which we make a couple of holes with a toothpick or a stack with a sharp tip.

Step 2. From small pieces of black and white mass we make eyes, as well as ears.

The body consists of two parts: a round white and an elongated shape - black. Fasten them with a toothpick.

Step 3. We make paws from black mastic. They should be teardrop shaped. Now on each foot you need to make pads from white mastic.

We sculpt an airplane

You need mastic in two colors: white and blue, as well as a toothpick or a stack for modeling with a sharp tip.

Step 1. We fashion the white trapezoidal body of the aircraft. We add to it the front glass from the blue mass.

Step 2. Sculpt wings. We take a couple of balls, roll them out a little or knead them with our hands. We make triangular wings. We make the tail a little thinner and trapezoidal in shape.

Step 3. Add stripes to the wings, tail, the main part of the blue mastic.

Step 4. We make eyes from white and black mass. We draw a mouth with a toothpick or a stack.

Sometimes, even following step by step detailed instructions, it turns out not all and not always. Each craftswoman has a couple of secrets that help in the modeling process:

1. Sometimes it's hard enough to cover the entire cake with mastic neatly. On the side parts, folds appear here and there, which spoil the whole look. In this case, the mastic should be rolled out in such a way that a sufficiently large margin is maintained. Next, we put it on the cake and, under its own weight, it should lie down as it should;
2. It's hard to find black dye. In this case, you can get out of the situation as follows: take three dyes (blue, yellow and red) and mix them in a ratio of 2:1:1. There is also the option of adding blue to brown paint;
3. In order for the mastic coating to shine, it must be lubricated with a solution of vodka and honey. To prepare it, you need to mix both ingredients in equal amounts. Lubricate the surface with the resulting liquid using a soft brush.

Fantasize and, perhaps, you will create your own individual figures from mastic, not like anyone else. Good luck!

In this article I will try to detail some of the features of making mastic jewelry with your own hands for beginners.

Basics

I am often asked about what kind of mastic is better to sculpt figures. For some time I worked as with mastic bought in a store, made according to different recipes, and with sugar paste, but always came back to my recipe because I know how to adjust it to my needs.

Here I will not describe the process of making complex figures, but I will simply try to tell in detail about how to make figures from mastic with my own hands. We will be making a person with relatively realistic body proportions and simple clothing. I am sure that everyone who follows these instructions will eventually learn how to create excellent fondant figures for children's cake, and that this knowledge will help in the future when moving on to more complex techniques and making figures with outstretched arms, as well as modeling animals from mastic.

If you have any questions about how to sculpt figurines from mastic, feel free to ask them in the comments. I will try to answer them as quickly as possible, but still remember that I am a busy person, so do not expect immediate answers from me.

Remember that all this is not the ultimate truth, but just my own work, and you may have a different view on how to make figures from cake fondant. Therefore, there are no hard and fast rules here, other than perhaps the placement of parts, so tailor these tips to your needs and preferences.

Necessary materials and tools

In my work, I try to avoid unnecessary expensive tools and often use what I already have at home. I will stick with this idea in this tutorial and try to keep the amount of what you need to make sugar paste figurines to a minimum.

To make a simple mastic figurine, you will need:

• Mastic of different colors for the manufacture of the following parts: pants, boots, sweaters, leather, hair;
• Several toothpicks. Note: Do not give fondant products containing toothpicks to small children and be sure to warn everyone else that they are contained inside. You can replace them with hard pasta if you wish, let everyone know anyway;
• Salt shaker with powdered or corn syrup, whichever you prefer. If you don't have a salt shaker, you can use a spoon instead;
• Cutting board (as smooth as possible);
• Sharp, non-serrated knife;
• Small or medium ball-shaped mastic tool;
• Small pastry brush;
• Water in a small container;
• Black food gel coloring;
• The surface on which you will place the figures, such as a cake or, if you make them in advance, a piece of foam;
• A printed sketch of a person (see below).

Through trial and error, I realized that as I made figures from mastic, each next detail turned out to be larger than the previous one, and as a result, I got disproportionate crafts from mastic. It was also difficult for me to make several figures of the same size if I did it by eye. For this reason, I started using sketches similar to the one above and the mastic cake figures began to turn out to be the right size for me. Just upload this sketch to any graphics editor(I use Irfanview), set the desired height of the future figurine and print the sketch. This approach can also be applied when decorating a cake to figure out how to arrange the figures and what sizes they should be.

The height of the figurine described in this article is 6.3 cm.
Putty is usually sticky, so to roll it out properly and avoid sticking to the board and fingers, dust your work surface and hands with powdered sugar. Don't worry about the whole figurine being covered in powdered sugar; you can easily clean it up afterwards.

To glue the pieces of mastic, apply a thin layer of water to one of them with a brush and press them together. You may need to move them around a bit to stick them together, but usually just water is enough. Some like to use different kinds store-bought or homemade edible glue, but I usually don't bother with that. Water glues perfectly in almost all cases.

If you are working in a dry area, you may need to soften your putty to prevent cracking of the surface. To do this, just mix a small amount of water into the dough and warm it in your hands. Try to do everything quickly so that the mastic does not have time to dry and start to crack. In humid conditions, you may need to mix in additional powdered sugar and increase the time between stages so that the parts of the figure do not mix.

We sculpt a person

Roll out a long snake from blue mastic. Make sure its thickness matches the thickness of the leg on the printed sketch. Don't worry about it getting too long - you can always cut off the excess.

Using the blunt side of the knife, make a notch in the middle of the snake and bend the mastic along it.

Lay the bent snake over the sketch so that the bent edge is near the hips. Trim the bottom of the pants if necessary.

Turn the pants over and lay next to the sketch. Using the blunt part of the knife, make indentations at the knees. They will help prevent the formation of wrinkles when bending.

Gently turn the knife a few times to make the indentation wider. The back of the legs should look like this:

If you are going to decorate the cake right now, you can wet the back of your feet with water and place them on the edge of the cake. I made a figurine on foam, so I’ll tell you about the features of this case later.

Put a handful of powdered sugar on the surface and, gently bending your knees, place them on the edge of the foam.

For greater stability of the figure, you can moisten the gap between the pants and carefully, so as not to damage the shape, press one leg to the other.

Make two even balls of black fondant a little larger than in the sketch (boots require more paste than feet without them, unless you are making thin slippers of course). To get the same balls, you can use such a tricky trick: make a thick sausage with flattened ends out of mastic and cut it in half.

Shape the balls into water droplets, but without the pointy end at the top, and then press down lightly.

Break a toothpick in half and insert each into the bottom of your legs. Leave the protrusion just long enough to hold the boot.

Wet the top and sides of the boots (and the back if you're decorating the cake now) with water and slide them over the protruding parts of the toothpicks.

Insert a toothpick into the top of the legs so that it goes a little deeper into the foam, but make sure that there is enough length on top to put the body on it.

Make a mastic bar that is wider on one side. Its thickness may vary depending on the size of your figure. I find that 1.3 cm thickness is suitable for most cases.

Now put it on the sketch. The upper edge of the bar should reach the shoulders, respectively, the lower edge - to the legs. The bar should be level near the shoulders, but you can make an indentation in the opposite part of it if you want the sweater to go over the pants a little.

After adding some water, put the body on a toothpick and press it on top so that it sticks to the legs.

Press down on the bar from the bottom along the sides so that its edges are in line with the hips.

Roll out a long snake from the mastic of the same color as the body, put it on the sketch along the line of the hand and cut off the excess, while not taking into account the length of the hand and fingers, which we will do next. From above, cut the snake along the vertical line of the body (at an acute angle).

If you need to make hands that would be in a horizontal position, then the angle needs to be made more obtuse. The sharp angle is needed so that the hands are close to the body, and the hands of the figurine are on the knees, because in this case it will not be necessary to make any internal supports or wait for the mastic to harden.

Do the same with the other hand, while checking that they are the same length.

Mark the elbow bend with the blunt side of the knife.

Bend your arm along the line, and from the back side with your fingertips make elbows. Unlike the knees, the elbows should be slightly pointed. If the arm becomes loose after this, add a little water to the crook of the elbow and press lightly to seal the edges of the indentation.

Using a ball tool, make small indentations at the base of the arms. They are needed so that the hands look like extensions of the arms, and not as if they were torn off the body and then glued back on.

Moisten the surface of the hand that will be adjacent to the body with water and press it against the torso and leg. As you do this, shape your shoulders as needed.

Don't place the bases of the arms close together, unless you're going to do folded arms. And this will most likely be difficult to do without bending them at an unnatural angle.

Then insert another toothpick into the torso from above, this will be the inner support for the head. Stick it deep enough so that it does not come out of the head on the other side.

Leave the hands to harden for a while before you start making the palms.

From the flesh-colored mastic, roll out a drop-shaped ball and place it on the sketch. The ball should slightly cover the contours of the head on the sketch, but no more. In general, it is better to make the head a little smaller, since due to the hair it can be enlarged later.

It is usually difficult for beginners to do a bare neck well, so it is better to replace it with a sweater collar. To do this, make a small thick cylinder of mastic and put it on a toothpick.

Make a small indentation in front.

Take the head made in the previous steps and put it on the toothpick at an angle. The chin should look forward, otherwise the head will look like a ball.

Using a ball-shaped tool, make small holes for the eyes.

From a very small piece of fondant, roll out a drop-shaped ball and press it down with your fingers.

Then attach it to the head so that its sharp top is flush with the brow ridges.

Make the nostrils with a toothpick, while taking it a little to the side to indicate the shape of the nose.

The mouth can be made in two ways: draw or cut. You can cut out the mouth with the tip of a sharp knife.

When you're done, lightly press down on the bottom half of your mouth with the knife to define the bottom lip.

With a toothpick, form the lower part of the lip and, with slight pressure, cover the mouth of the figurine.

Use the sharp end of a toothpick to shape the top lip in the middle, making a small notch.

The easiest way to mold hands is to make them in the form of mittens. For those who want to make more realistic outlines of the hands, below are detailed instructions.

Roll out a hand-sized piece of fondant on the template and shape it into a drop shape, as you did in the previous steps for the head and nose.

Then decide which hand you are doing: right hand or left hand. Put your hand next to the piece of fondant to see which way the thumb should be turned.

Make a wedge cut as shown in the photo below.

Draw a knife to indicate the thumb.

Cut out another small piece to give the finger the desired shape.

Make cuts to form the rest of the fingers.

Gently smooth the sharp corners with your fingers.

With a ball tool, form light indentations in the palms.

Turning the hand and pressing it lightly with your fingers, make a round wrist.

After adding some water to the leg and sleeve, insert the wrist there. Nails can be marked with the tip of a toothpick.

Make the other hand in the same way as above.

One of the most simple ways make hair - blind them in the form of a hat or pot. Take a piece of mastic and shape it like in the picture below. It should have a flat surface on the bottom and a slightly convex top.

While pressing the mastic with your thumb and forefinger, turn it.

When shaping the hair, always check how it will look on the head in order to choose right size. When you get the right size, pinch the ends of your hair so it's thin and doesn't look like a helmet.

Moisten the inner surface of the hair with water and gently attach to the head.

To make curls, run a sharp knife along the edge of the hair a couple of times.

Long hair can easily be made by simply pressing the mastic on one side more than the other.

If you decide to mold the ears on the figurine, make small cuts in the hair, as shown below.

Tear off a small piece of mastic and give it the same shape as in the photo.

With the sharp end of a toothpick, make two holes in the piece.

Connect these pits with a groove, while pressing to the side to form the edge of the ear. Poke a hole in the bottom of the ear.

Keep improving the shape until you are happy with the result.

Anoint with a wet brush the ear in the center on the outside, which will be adjacent to the head, and attach it in place.

Look at the figurine from several angles to make sure that the ears do not stick out.

Draw eyebrows and eyes with black gel dye.

The figurine is ready!

I hope that now you don’t have a question about how to make a figurine from mastic for a cake and surprise your family and friends with your masterpiece.

Quote message Dough for curly cookies. You can sculpt any figures.

The dough from which you can make figured cookies with your children.

Here is the recipe for this. It is soft, very elastic and simple. From it you can not only cut simple figures, but also sculpt.

50 gr. oils
100 gr. honey
2/3 cup sugar
1 egg
~2.5 cups of flour.
1/2 package of baking powder (5 gr)

Put butter, honey and sugar in a bowl and put in the microwave for 1 minute. Stir and put for another 30 seconds.
Pour a glass of flour into the hot mixture first, stir, and then the rest of the flour and baking powder.
Knead the dough. The bowl will become clean, all the flour and pieces of dough will come off.

Everything. You can sculpt.

Of course, a giraffe will not stand in the oven, but mice, turtles, etc. are quite recognizable :)
The dough may stick a little, but just a little bit. It can be used in a day, for this, put in a bag, tie tightly and store in the refrigerator.


Before baking, it would be good to throw the figures into the freezer for 3-5 minutes, and then immediately into the oven, then the cookies will be more fragile. Bake at 175 degrees in a preheated oven. Bake thick figures for about 20-30 minutes.


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Dough modeling is a fun way to spend time with children. After all, at the same time, they not only sculpt, but also cook: they can experiment with the flour mixture in the process of measuring and mixing the ingredients, and then observe the metamorphoses that occur with the finished product when temperatures change during the drying process.

In addition, crafts made from salt dough are harmless to children, they do not contain allergens, and they can be safely tasted.

Figures made from homemade flour mixture are harder and better preserved than plasticine.

Basic dough recipe

Before making dough for modeling, you need to imagine what kind of products will be made, whether the dough needs to be dyed, how long modeling will take, what drying mode will be selected.

The basic dough recipe for crafts consists of one part of salt and two parts of wheat flour to which citric acid is added - 2 tsp. 1 cup salt and 1 tbsp. l. vegetable oil. The amount of water added during mixing should be equal to the amount of salt.

Dough preparation method

The test is made in the following order:

• Mix flour with salt and citric acid and pour this mixture into a saucepan;
• Place the saucepan over moderate heat and, stirring constantly, gradually add water until the dough begins to lag behind the pan and can be rolled into a ball.
• Remove from heat and knead the dough with your hands.

Food coloring or gouache must be diluted in water, which is added before kneading the dough.

In the course of work, depending on the required consistency, the salt-flour mixture can be further diluted with water or oil, or flour can be added for hardness.

It is better to prepare the dough in as small portions as possible, right before sculpting, and store it only in a tightly closed container or cling film.

Drying salt dough crafts

In order for DIY salt dough crafts to retain their shape, do not break, and do not crack, you need to choose the right drying mode. You can simply leave the figurines to dry naturally in the air, you can put them in the oven.

There are two different methods for oven drying. The first is to preheat the oven, then turn it off and place the figurines in the heated space. You can also bake products at 100-degree mode, making sure that there is no burning.

A master class on making dough crafts involves, first of all, experimenting with the material: the composition of the dough and its drying mode, so failures in this process are inevitable.

Useful advice: Starting modeling with children, you need to set them up so that the first success, after many not quite aesthetic attempts, becomes a real miracle for them.

It is better to start with simple and uniform shapes, such as, for example, round beads of various colors and sizes. From them you can make garlands to decorate the room.

Then you can master more complex silhouettes - stars, hearts, and three-dimensional figures - New Year's snowflakes, Christmas trees, Easter eggs with patterns, egg coasters, chickens.

You can time the production of figurines for the holidays, or choose more neutral motifs for all occasions, making souvenirs and gifts in the form of stylized horseshoes, suns, stars, airplanes and funny faces.

During modeling, you can use special molds for modeling and baking, and other things, at the prompt of your imagination: garlic crush - to get thin ropes from dough, bottle caps - to cut out circles, plastic parts of toys - to get prints, almost everything What is at hand from a toothpick to wheels from toy cars can become a tool for sculpting dough.

Note!

It is easy to make holes in salt dough, both decorative and for hanging on threads. Holes on flat figures retain their shape when dry.

But in the manufacture of more voluminous parts, such as spherical balls, in order to make a hole for the thread, you need to pierce the figure with a toothpick or other sharp tool made of wood or plastic and do not remove it until the product dries.

Helpful Hint: To glue the elements of the dough, it is enough just to wet the individual sections and attach them to each other.

From volumetric and flat figures, you can make garlands, key chains, medals and pendants. You can fashion chests and cups for storing jewelry, small treasures and pencils.

Volumetric figures of animals

Volumetric figures of animals are especially popular with children, they can be made in accordance with popular step by step instructions, which are intended for plasticine and clay crafts.

Note!

You can sculpt from dough without dyes, then paint the finished figure and, after drying, varnish it.

You can also cut out various figures: having made their mock-up from cardboard, put it on a flat dough previously rolled out with a rolling pin and carefully cut along the edges. Then you can color the figurine, add the necessary texture - roughness, strokes, make eyes, nose or bead jewelry.

A wonderful handmade gift can be a photo frame or a unique candlestick.

Making panels that combine elements of mosaic, appliqué and modeling can captivate both children and adults. For the smallest, the simplest drawings are suitable: you must first draw a silhouette on parchment, then carefully fill it with dough along the lines.

More complex ideas can also be conceived and implemented, using beads, cereal mosaics, dried flowers, etc.

Note!

Photo crafts from the dough