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Evgeniy Ivanovich Nosov 85 years since birth (1925 – 2002) Prepared by Kovalchuk T.V.

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Evgeniy Ivanovich's father, Ivan Georgievich Nosov, a drummer of the first five-year plans, was a hereditary craftsman who took over the blacksmith's craft from his grandfather, who was like the epic farriers. For people who are engaged in difficult production of bread, their leisure time, as a rule, is healthy, meaningful and festive. childhood

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On Sundays, my father, putting on a clean shirt, took scissors and began to cut out figures from paper... the same type, primitive likenesses of horses and pasted them on the window glass. “Now we’ll make a dog,” he said and cut out the same horse figurine, but only with a hooked tail.”

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“My father’s “rock” horses,” recalled Evgeny Nosov, “encouraged me to look carefully at the world around me, kindled an unquenchable boyish interest in all living things, a passionate desire to reproduce all this with the help of scissors, and then with a pencil. I learned to draw early, at about the age of five. I owe this to my father, which he didn’t even suspect.”

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Addicted to drawing, having spent his childhood fishing, hunting, and gathering herbs, Evgeny Nosov developed to an extraordinary degree the ability to plastically, painterly perceive reality in all the diversity of its colors, sounds, smells and changeable states.

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Formation Having survived the hardships of the fascist occupation in his native land, the future writer, a witness to one of the largest, turning-point battles for the Second World War - on the Kursk Bulge, as an eighteen-year-old youth went to the front, became an artilleryman of an anti-tank brigade in the army of Marshal K.K. Rokossovsky, arrived with combat friends to the citadel of German fascism - East Prussia.

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On the approaches to Königsberg, the future writer was seriously wounded on February 8, 1945, and he, along with other soldiers, was picked up in the Masurian swamps, “dank from the damp winds and acrid fogs of the nearby Baltic.” May 1945 was met in a hospital in an old town near Moscow city ​​of Serpukhov. And more than twenty years later, the story “Red Wine of Victory” will be written about these days.

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In the fall of 1945, having been discharged from the hospital with a disability benefit, Evgeny Nosov decides to continue his studies in high school (before the war he completed eight classes), however, the writer recalls, “when I first entered the classroom in a gymnast and with military orders, everyone stood up , thinking that a new teacher had come…” and the thought of school education had to be abandoned, especially since it was necessary to earn a living.

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The future prose writer goes to Central Asia, to Kazakhstan, works in a newspaper as a graphic designer, then as a literary employee. Began publishing in 1947. These were poems, journalistic articles, essays, correspondence, and reviews. In 1951 he returned with his family to his native Kursk.

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In 1957, Evgeny Nosov published his first story for children, “Rainbow,” in the regional almanac; in 1958, the first collection of short stories and novellas, “On the Fishing Path,” was published. A subtle sense of words, a heightened, volumetric-plastic perception of the surrounding world, a love for detailed, unhurried and “natural” life and work in the bosom of nature immediately determined Nosov’s place in the arena of modern “village prose” as a traditionalist artist, focused on the experience of Ivan Sergeevich Turgenev , Ivan Alekseevich Bunin and Nikolai Semenovich Leskov.

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Like other prominent “village writers” (Viktor Petrovich Astafiev, Vasily Ivanovich Belov), he studied at the Higher Literary Courses at the Union of Writers of the USSR (1960-1962), actively published in the capital’s periodicals in the magazines “New World”, “Our Contemporary” and others, published numerous collections of short stories and stories (Stories, 1959; Thirty Grains, 1961; The House Behind the Triumphal Arch, 1963; Where the Sun Awakens, 1965; The Meadow Fescue is Noisy, 1966 (State Prize of the RSFSR named after A.M. Gorky, 1975); Behind the valleys, behind the forests, 1967; Shores, Red Wine of Victory, both 1971; And the steamboats sail away..., 1975; Usvyatsky helmet-bearers, 1980; In the open field..., 1990, etc.).

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In the best stories and stories of the writer (The meadow fescue rustles, 1925; Obezdchik, 1966; Beyond the valleys, beyond the forests, Varka, Home, for the mother, all 1967; And the ships sail away, and the shores remain, 1970; Chopin, sonata number two, 1973 , etc.) show deep psychologism, a penchant for social analysis, historicity of thinking and accuracy of everyday life in depicting the life of a modern Central Russian village, especially successfully conveyed through rich, dynamic dialogues that combine the energy and “irregularity” of direct peasant speech and the aphorism of folk wisdom (“ ...I'll tell you this, frankly: people can't bear to look at churches. For example, they need to float timber, pull flax... When should he go on steamboats? Pay a hundred rubles for this - nope!..." - And the steamboats sail away , and the shores remain).

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Sadness and nostalgia for a bright, unclouded, naive, “childish” perception of the world permeates Nosov’s work, which is especially noticeable in his stories (The Bridge, The House Behind the Arc de Triomphe) and stories (Don’t have ten rubles, My Chomolungma) about his own childhood and adolescence ( stories by Podpasok, Dezhka, etc.), about a Russian peasant on the fields of the Great Patriotic War.

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Nosov’s pinnacle work dedicated to this topic is the story Usvyatsky Helmet Bearers (1977), which tells about the last moments of a work and family village idyll - several days of haymaking in June 1941, on the eve of sending the men to the front, asserts in a manner characteristic of the writer, as well as of other “villagers” ", a projection onto the patriarchal Russian community and Orthodoxy of the primordial peacefulness of the Russian people-farmers, emphasizes the unnaturalness and even ungodliness of turning a farmer into a soldier.

O Evgeny Nosov was born on January 15, 1925 in the family of a hereditary craftsman and blacksmith. As a sixteen-year-old boy, he survived the fascist occupation. He graduated from the eighth grade and after the Battle of Kursk (July 5–August 23, 1943) he went to the front in the artillery troops, becoming a gunner. Participated in Operation Bagration, in the battles on the Rogachev bridgehead beyond the Dnieper. Fought in Poland. January 15, 1925 Battle of Kursk July 5 August 23, 1943 Operation Bagration Dnieper Poland

O In the battles near Koenigsberg on February 8, 1945, he was seriously wounded and celebrated Victory Day in a hospital in Serpukhov, about which he later wrote the story “Red Wine of Victory.” After leaving the hospital, he received disability benefits. Koenigsberg February 8, 1945 Victory Day Serpukhov O After the war, he graduated from high school. He went to Kazakhstan, Central Asia, worked as an artist, designer, and literary collaborator. I started writing prose. In the 1990s was a member of the editorial board of the Roman-Gazeta magazine. Kazakhstan Central Asia

O After the war he graduated from high school. He went to Kazakhstan, Central Asia, worked as an artist, designer, and literary collaborator. I started writing prose. In the 1990s was a member of the editorial board of the Roman-Gazeta magazine. Kazakhstan Central Asia

Evgeny Nosov can be classified as a representative of “village prose” and no less significant in the literature of the 20th century “trench truth”. Its most important themes are military and rural. village prose In 1957, the first publication: the story “Rainbow” was published in the Kursk almanac. 1957 In 1958, his first book of short stories and stories “On the Fishing Path” was published. 1958 In 1961, he returned to Kursk and became a professional writer. In 1962 he began studying at the Higher Literary Courses in Moscow. 19611962 Higher Literary Courses in Moscow

O He published a lot in the magazines “Our Contemporary” and “New World”, where his best stories and novellas were published, taking their rightful place in Russian literature. Our contemporary “New World” O The story “Usvyatsky Helmet Bearers” (1980) was a great success; in 1986, a collection of his stories and short stories was published under this title; in the same year, a book of essays “I’ll Get Off at a Distant Station”; in 1989, a book of stories for primary schoolchildren “Where the Sun Wakes Up”; in 1990, novels and short stories “In the Open Field”; in 1992, a book of stories for senior schoolchildren, “Red Wine of Victory,” 1989, 1990, 1992

O Works: O On the Fishing Path (1958) O Stories (1959) O Thirty Grains (1961) O Where the Sun Wakes Up? (1965) O In an open field behind a country road (1967) O Banks (1971) O Red wine of victory (1971) collection of stories O Bridge (1974) O Meadow fescue rustles (1977) O Usvyatsky helmet-bearers (1977) O Selected works (in two volumes) (1983) O The grass will not grow... Tale, stories. (1985) O In an open field (1990) O The birth of the sphinx (1990) O Evening haystacks. Stories, story. (2000).

Films O [Red Wine of Victory, produced in 1988. Red wine of victory O Based on the story “Usvyatsky Helmet Bearers” the film “Spring” was made (directed by A. Sirenko) O Based on Nosov’s lyrical stories, the film “Gypsy Happiness” (directed by S. Nikonenko) was made in 1981. 1981 “Gypsy Happiness” C. Nikonenko O Short film “Varka” (TO “Ekran”, 1971) based on the story of the same name. Directed by T. Papastergiou

Prizes and awards O Hero of Socialist Labor (1990) Hero of Socialist Labor 1990 O two Orders of Lenin (1984, 1990) Orders of Lenin O Order of the Patriotic War, 1st class (1985) Order of the Patriotic War O Order of the Patriotic War, 2nd class, Order of the Patriotic War O two Orders of the Red Labor Banner of the Order of the Red Banner of Labor O Order of the Red Star Order of the Red Star O Monument to Evgeny Nosov in Kursk Kursk

Order "Badge of Honor" medal "For Courage" medal "For victory over Germany in the Great Patriotic War" State Prize of the RSFSR named after M. Gorky State Prize of the RSFSR named after M. Gorky (1975) for “The Meadow Fescue Is Noisy” 1975 Prize of the magazine “Our Contemporary” (1973) 1973 Prize of the “Literary Gazette” (1988) “Literary Gazette” 1988 year Prize of the newspaper "Pravda" (1990) Pravda International Prize named after M. A. Sholokhov in the field of literature and art International Prize named after M. A. Sholokhov in the field of literature and art (1996) 1996 Prize of the magazine "Youth" (1997 year) Youth 1997 Moscow Penne Prize (1998) 1998 A.P. Platonov Prize “Smart Heart” (2000) 2000 Alexander Solzhenitsyn Prize Alexander Solzhenitsyn Prize (2001) “... whose works revealed the full truth the tragic beginning of the Great Patriotic War, its course, its consequences for the Russian village and the late bitterness of neglected veterans "2001 Pension of the President of the Russian Federation (since 1995) 1995 Honorary Citizen of Kursk

Slide presentation

Slide text: Evgeny Ivanovich Nosov 85th birthday (1925 – 2002) Prepared by T.V. Kovalchuk

Slide text:

Slide text: Evgeny Ivanovich Nosov was born on January 15, 1925 in the village of Tolmachevo near Kursk, on the high bank of the Seim, in a region marked by chronicles, glorified by the author of “The Tale of Igor’s Campaign,” Turgenev and Fet, Nikitin, Koltsov and Bunin...

Slide text: Evgeniy Ivanovich’s father, Ivan Georgievich Nosov, a drummer of the first five-year plans, was a hereditary craftsman who took over the blacksmith’s craft from his grandfather, who was like the epic farriers. For people who are engaged in difficult production of bread, their leisure time, as a rule, is healthy, meaningful and festive. childhood

Slide text: On Sundays, my father, putting on a clean shirt, took scissors and began to cut out figures from paper... the same type, primitive likenesses of horses and pasted them on the window glass. “Now we’ll make a dog,” he said and cut out the same horse figurine, but only with a hooked tail.”

Slide text: “My father’s “rock” horses,” recalled Evgeny Nosov, “encouraged me to look carefully at the world around me, kindled an unquenchable boyish interest in all living things, a passionate desire to reproduce all this with the help of scissors, and then with a pencil. I learned to draw early, at about the age of five. I owe this to my father, which he didn’t even suspect.”

Slide text: Addicted to drawing, having spent his childhood fishing, hunting, and gathering herbs, Evgeny Nosov developed to an extraordinary degree the ability to plastically, painterly perceive reality in all the diversity of its colors, sounds, smells and changeable states.

Slide text: Formation Having survived the hardships of the fascist occupation on his native land, the future writer, a witness to one of the largest, turning-point battles for the Second World War - on the Kursk Bulge, as an eighteen-year-old youth, went to the front, became an artilleryman of an anti-tank brigade in the army of Marshal K.K. Rokossovsky, reaches with his fighting friends the citadel of German fascism - East Prussia.

Slide text: On the approaches to Königsberg, the future writer was seriously wounded on February 8, 1945, and he, along with other soldiers, was picked up in the Masurian swamps, “chill from the damp winds and acrid fogs of the nearby Baltic.” I met May 1945 in the hospital, in the ancient town of Serpukhov near Moscow. And more than twenty years later, the story “Red Wine of Victory” will be written about these days.

Slide No. 10

Slide text: In the fall of 1945, having been discharged from the hospital with a disability benefit, Evgeny Nosov decides to continue his studies in high school (before the war he completed eight grades), however, the writer recalls, “when I first walked into class in a gymnast and with military orders , everyone stood up, thinking that a new teacher had come…” and the thought of school education had to be abandoned, especially since it was necessary to earn a living.

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Slide text: The future prose writer goes to Central Asia, to Kazakhstan, works in a newspaper - as a graphic designer, then as a literary employee. Began publishing in 1947. These were poems, journalistic articles, essays, correspondence, and reviews. In 1951 he returned with his family to his native Kursk.

Slide No. 12

Slide text: In 1957, Evgeny Nosov published his first story for children, “Rainbow,” in the regional almanac; in 1958, the first collection of short stories and stories, “On the Fishing Path,” was published. A subtle sense of words, a heightened, volumetric-plastic perception of the surrounding world, a love for detailed, unhurried and “natural” life and work in the bosom of nature immediately determined Nosov’s place in the arena of modern “village prose” as a traditionalist artist, focused on the experience of Ivan Sergeevich Turgenev , Ivan Alekseevich Bunin and Nikolai Semenovich Leskov.

Slide No. 13

Slide text: Like other prominent "village writers" (Viktor Petrovich Astafiev, Vasily Ivanovich Belov) he studied at the Higher Literary Courses at the Union of Writers of the USSR (1960-1962), actively published in the capital's periodicals in magazines - "New World", " Our Contemporary" and others, published numerous collections of stories and tales (Stories, 1959; Thirty Grains, 1961; The House Behind the Triumphal Arch, 1963; Where the Sun Awakens, 1965; The meadow fescue rustles, 1966 (State Prize of the RSFSR named after A.M. .Gorky, 1975); Beyond the valleys, beyond the forests, 1967; Shores, Red Wine of Victory, both 1971; And the steamboats sail away..., 1975; Usvyatsky Helmet Bearers, 1980; In the Open Field..., 1990, etc.).

Slide No. 14

Slide text: In the best stories and stories of the writer (The meadow fescue rustles, 1925; Obezdchik, 1966; Beyond the valleys, beyond the forests, Varka, Home, for the mother, all 1967; And the ships sail away, and the shores remain, 1970; Chopin, sonata no. two, 1973, etc.) show deep psychologism, a penchant for social analysis, historicity of thinking and accuracy of everyday life in depicting the life of a modern Central Russian village, especially successfully conveyed through rich, dynamic dialogues, combining the energy and “irregularity” of direct peasant speech and the aphorism of folk wisdom (“...I’ll tell you this, frankly: people can’t bear to look at churches. For example, they need to float timber, pull flax... When should he go on steamboats? Pay a hundred rubles for this - nope!..." - And the ships sail away, and the shores remain).

Slide No. 15

Slide text: Sadness, nostalgia for a bright, unclouded, naive, “childish” perception of the world permeates Nosov’s work, which is especially noticeable in his stories (The Bridge, The House Behind the Arc de Triomphe) and stories (Don’t Have Ten Rubles, My Chomolungma) about his own childhood and adolescence (stories by Podpasok, Dezhka, etc.), about a Russian peasant on the fields of the Great Patriotic War.

Slide No. 16

Slide text: Nosov’s pinnacle work dedicated to this topic is the story Usvyatsky Helmet Bearers (1977), which tells about the last moments of a work and family rural idyll - several days of haymaking in June 1941, on the eve of sending the men to the front, asserts in a characteristic way for the writer, as well as for other “villagers”, a projection onto the patriarchal Russian community and Orthodoxy of the primordial peacefulness of the Russian people-farmers, emphasizes the unnaturalness and even ungodliness of turning a farmer into a soldier.

Slide No. 17

Slide text: “But only in public - throughout the entire village with its alleys and ridges that have not been watered for a long time, on every hut and every object in the house, this indelible mark of war sickness is imprinted. Everything smelled of the dust of the old order, of future sorrows; everything was sprinkled with bitterness, like road dust, and acquired its taste. This is an illness of the soul, discord in it and turmoil were breaking, tormenting ... "

Slide No. 18

Slide text: The sad tone of Nosov’s works of the late 1980s - 1990s (fantastic story The Dream, UFO stories of our childhood, Dark Water, Flashlight, Fire in the Wind, Red, Yellow, Green...) is associated with the writer’s feeling of the irrenewable decay of the indigenous foundations national life, a catastrophic increase in the “perestroika” society (including in the countryside) of existential disharmony: cruelty, apathy, disappointment and selfishness.

Slide No. 19

Slide text: Stories about nature Nature in Nosov’s works is alive, with a soul and heart, like a person: “every creature has the concept of soulfulness, whether it is a fish, a bird, or an animal.”

Slide No. 20

Slide text: Books by E.I. Nosov

Slide No. 21

Slide text: The military work of Evgeny Ivanovich Nosov was awarded the Order of the Patriotic War and the Red Star, the medals “For Courage” and “For Victory over Germany.” Titles and awards

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Slide text: The literary activity of Evgeny Ivanovich Nosov was awarded the Order of Lenin and the Order of the Red Banner of Labor (twice). In March 1990, he was awarded the title of Hero of Socialist Labor. - Laureate of the State Prize. - Laureate of the Alexander Solzhenitsyn Prize (2001). - Honorary citizen of the city of Kursk.

Slide No. 23

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Evgeniy Ivanovich's father, Ivan Georgievich Nosov, a drummer of the first five-year plans, was a hereditary craftsman who took over the blacksmith's craft from his grandfather, who was like the epic farriers. For people who are engaged in difficult production of bread, their leisure time, as a rule, is healthy, meaningful and festive. childhood

Slide 5

On Sundays, my father, putting on a clean shirt, took scissors and began to cut out figures from paper... the same type, primitive likenesses of horses and pasted them on the window glass. “Now we’ll make a dog,” he said and cut out the same horse figurine, but only with a hooked tail.”

Slide 6

“My father’s “rock” horses,” recalled Evgeny Nosov, “encouraged me to look carefully at the world around me, kindled an unquenchable boyish interest in all living things, a passionate desire to reproduce all this with the help of scissors, and then with a pencil. I learned to draw early, at about the age of five. I owe this to my father, which he didn’t even suspect.”

Slide 7

Addicted to drawing, having spent his childhood fishing, hunting, and gathering herbs, Evgeny Nosov developed to an extraordinary degree the ability to plastically, painterly perceive reality in all the diversity of its colors, sounds, smells and changeable states.

Slide 8

Becoming

Having survived the hardships of the fascist occupation in his native land, the future writer, a witness to one of the largest, turning-point battles for the Second World War - on the Kursk Bulge, as an eighteen-year-old youth, went to the front, became an artilleryman of an anti-tank brigade in the army of Marshal K.K. Rokossovsky, arrived with military friends to the citadel of German fascism - East Prussia.

Slide 9

On the approaches to Königsberg, the future writer was seriously wounded on February 8, 1945, and he, along with other soldiers, was picked up in the Masurian swamps, “dank from the damp winds and acrid fogs of the nearby Baltic.” May 1945 was met in a hospital in an old town near Moscow city ​​of Serpukhov. And more than twenty years later, the story “Red Wine of Victory” will be written about these days.

Slide 10

In the fall of 1945, having been discharged from the hospital with a disability benefit, Evgeny Nosov decides to continue his studies in high school (before the war he completed eight classes), however, the writer recalls, “when I first entered the classroom in a gymnast and with military orders, everyone stood up , thinking that a new teacher had come…” and the thought of school education had to be abandoned, especially since it was necessary to earn a living.

Slide 11

The future prose writer goes to Central Asia, to Kazakhstan, works in a newspaper as a graphic designer, then as a literary employee. Began publishing in 1947. These were poems, journalistic articles, essays, correspondence, and reviews. In 1951 he returned with his family to his native Kursk.

Slide 12

In 1957, Evgeny Nosov published his first story for children, “Rainbow,” in the regional almanac; in 1958, the first collection of short stories and novellas, “On the Fishing Path,” was published. A subtle sense of words, a heightened, volumetric-plastic perception of the surrounding world, a love for detailed, unhurried and “natural” life and work in the bosom of nature immediately determined Nosov’s place in the arena of modern “village prose” as a traditionalist artist, focused on the experience of Ivan Sergeevich Turgenev , Ivan Alekseevich Bunin and Nikolai Semenovich Leskov.

Slide 13

Like other prominent “village writers” (Viktor Petrovich Astafiev, Vasily Ivanovich Belov), he studied at the Higher Literary Courses at the Union of Writers of the USSR (1960-1962), actively published in the capital’s periodicals in the magazines “New World”, “Our Contemporary” and others, published numerous collections of short stories and tales (Stories, 1959; Thirty Grains, 1961; The House Behind the Triumphal Arch, 1963; Where the Sun Awakens, 1965; The Meadow Fescue is Noisy, 1966 (State Prize of the RSFSR named after A.M. Gorky, 1975 ); Behind the valleys, behind the forests, 1967; Shores, Red Wine of Victory, both 1971; And the steamboats sail away..., 1975; Usvyatsky Helmet Bearers, 1980; In the Open Field..., 1990, etc.).

Slide 14

In the best stories and stories of the writer (The meadow fescue rustles, 1925; Obezdchik, 1966; Beyond the valleys, beyond the forests, Varka, Home, for the mother, all 1967; And the ships sail away, and the shores remain, 1970; Chopin, sonata number two, 1973 , etc.) show deep psychologism, a penchant for social analysis, historicity of thinking and accuracy of everyday life in depicting the life of a modern Central Russian village, especially successfully conveyed through rich, dynamic dialogues that combine the energy and “irregularity” of direct peasant speech and the aphorism of folk wisdom (“ ...I'll tell you this, frankly: people can't bear to look at churches. For example, they need to float timber, pull flax... When should he go on steamboats? Pay a hundred rubles for this - nope!..." - And the steamboats sail away , and the shores remain).

Slide 15

Sadness and nostalgia for a bright, unclouded, naive, “childish” perception of the world permeates Nosov’s work, which is especially noticeable in his stories (The Bridge, The House Behind the Arc de Triomphe) and stories (Don’t have ten rubles, My Chomolungma) about his own childhood and adolescence ( stories by Podpasok, Dezhka, etc.), about a Russian peasant on the fields of the Great Patriotic War.

Slide 16

Nosov’s pinnacle work dedicated to this topic is the story Usvyatsky Helmet Bearers (1977), which tells about the last moments of a work and family rural idyll - several days of haymaking in June 1941, on the eve of sending the men to the front, asserts in a manner characteristic of the writer, as well as of other “villagers” , a projection onto the patriarchal Russian community and Orthodoxy of the primordial peacefulness of the Russian people-farmers, emphasizes the unnaturalness and even ungodliness of turning a farmer into a soldier.

Slide 17

“But only in people - in the entire village with its alleys and ridges that have not been watered for a long time, on every hut and every object in the house, this indelible mark of war sickness is imprinted. Everything smelled of the dust of the old order, of future sorrows; everything was sprinkled with bitterness, like road dust, and acquired its taste. This is an illness of the soul, discord in it and turmoil were breaking, tormenting ... "